Post by WOLF on Jun 24, 2007 11:17:41 GMT -5
The oldest Indian writings, the Vedas (Hindu sacred scriptures), contain the same hints of alchemy that are found in evidence from ancient China, namely vague references to a connection between gold and long life. Mercury, which was so vital to alchemy everywhere, is first mentioned in the 4th- to 3rd-century-BC Artha-sastra, about the same time it is encountered in China and in the West. Evidence of the idea of transmuting base metals to gold appears in 2nd- to 5th-century-AD Buddhist texts, about the same time as in the West. Since Alexander the Great had invaded India in 325 BC, leaving a Greek state (Gandhara) that long endured, the possibility exists that the Indians acquired the idea from the Greeks, but it could have been the other way around.
It is also possible that the alchemy of medicine and immortality came to India from China, or vice versa; in any case, gold making appears to have been a minor concern, and medicine the major concern, of both cultures. But the elixir of immortality was of little importance in India (which had other avenues to immortality). The Indian elixirs were mineral remedies for specific diseases or, at the most, to promote long life.
As in China and the West, alchemy in India came to be associated with religious mysticism, but much later--not until the rise of Tantrism (an esoteric, occultic, meditative system), AD 1100-1300. To Tantrism are owed writings that are clearly alchemical (such as the 12th-century Rasarnava, or "Treatise on Metallic Preparations").
From the earliest records of Indian natural philosophy, which date from the 5th-3rd centuries BC, theories of nature were based on conceptions of material elements (fire, wind, water, earth, and space), vitalism ("animated atoms"), and dualisms of love and hate or action and reaction. The alchemist coloured metals and on occasion "made" gold, but he gave little importance to that. His six metals (gold, silver, tin, iron, lead, and copper), each further subdivided (five kinds of gold, etc.), were "killed" (i.e., corroded) but not "resurrected," as was the custom of Western alchemy. Rather, they were killed to make medicines. Although "the secrets of mercurial lore" became part of the Tantric rite, mercury seems to have been much less important than in China.
The Indians exploited metal reactions more widely, but, although they possessed from an early date not only vitriol and sal ammoniac but also saltpetre, they nevertheless failed to discover the mineral acids. This is the more remarkable because India was long the principal source of saltpetre, which occurs as an efflorescence on the soil, especially in populous tropical countries. But it lacks the high degree of corrosivity of metals possessed by the vitriols and chlorides and played a small part in early alchemy. Saltpetre appears particularly in 9th- to 11th-century-AD Indian and Chinese recipes for fireworks, one of which--a mixture of saltpetre, sulfur, and charcoal--is gunpowder. Saltpetre first appears in Europe in the 13th century, along with the modern formula for gunpowder and the recipe for nitric acid.
It is also possible that the alchemy of medicine and immortality came to India from China, or vice versa; in any case, gold making appears to have been a minor concern, and medicine the major concern, of both cultures. But the elixir of immortality was of little importance in India (which had other avenues to immortality). The Indian elixirs were mineral remedies for specific diseases or, at the most, to promote long life.
As in China and the West, alchemy in India came to be associated with religious mysticism, but much later--not until the rise of Tantrism (an esoteric, occultic, meditative system), AD 1100-1300. To Tantrism are owed writings that are clearly alchemical (such as the 12th-century Rasarnava, or "Treatise on Metallic Preparations").
From the earliest records of Indian natural philosophy, which date from the 5th-3rd centuries BC, theories of nature were based on conceptions of material elements (fire, wind, water, earth, and space), vitalism ("animated atoms"), and dualisms of love and hate or action and reaction. The alchemist coloured metals and on occasion "made" gold, but he gave little importance to that. His six metals (gold, silver, tin, iron, lead, and copper), each further subdivided (five kinds of gold, etc.), were "killed" (i.e., corroded) but not "resurrected," as was the custom of Western alchemy. Rather, they were killed to make medicines. Although "the secrets of mercurial lore" became part of the Tantric rite, mercury seems to have been much less important than in China.
The Indians exploited metal reactions more widely, but, although they possessed from an early date not only vitriol and sal ammoniac but also saltpetre, they nevertheless failed to discover the mineral acids. This is the more remarkable because India was long the principal source of saltpetre, which occurs as an efflorescence on the soil, especially in populous tropical countries. But it lacks the high degree of corrosivity of metals possessed by the vitriols and chlorides and played a small part in early alchemy. Saltpetre appears particularly in 9th- to 11th-century-AD Indian and Chinese recipes for fireworks, one of which--a mixture of saltpetre, sulfur, and charcoal--is gunpowder. Saltpetre first appears in Europe in the 13th century, along with the modern formula for gunpowder and the recipe for nitric acid.
